Showing posts with label LoC. Show all posts
Showing posts with label LoC. Show all posts

Monday, April 27, 2009

Lady Constance Stewart Richardson (LOC)

I was going to post a picture of some library managers doing a role-play at a training session, but I opened my flickr account and there was this amazing photograph, courtesy of the Library of Congress' flickr stream. Lady Constance is fascinating - I found the following excerpt in "Every Woman's Encyclopedia":


A daughter of the late Earl of Cromartie and sister of the present Countess of Cromartie-who succeeded to the title on the death of her father, there being no heir to the peerage-lady Constance has earned the reputation of being the most unconventional and daring personage in smart society. She has carried everything before her as a swimmer; has explored parts of India in which no other white woman has trod; has lassoed cattle in Texas; started the fashion among women of wearing a kilt for shooting and fishing in the Highlands, and of riding astride in Rotten Row, while, at the beginning of 1910, she appeared at the Palace Theatre, London, in a series of the classical dances made popular by Miss Maud Allan. Lady Constance married Sir Edward Stewart-richardson in 1904, part of their honeymoon being spent in Somaliland-for Sir Edward is very fond of big-game hunting. The bride's unconventional costume was a soldier's grey flannel shirt, open at the throat, with sleeves rolled up, khaki trousers, and a cowboy's hat. Lady Constance, who is now thirty years of age, has two sons, and lives for the greater part of the year at Pitfour Castle, Perthshire.

According to an abstract of a NYT article, in 1913 she was called to account for her scandalous dance costume and suggestive poses. I'm not sure how scandalous this pose is, but she does look like a woman who flouts convention.

Stumbling upon these pictures, in my photostream, without having to go to a library site - what the LOC has done is to put its collections (which are, in point of fact, public collections) where the public already is, so the public can discover them.

Which is the point of Library 2.0, I think.

Wednesday, April 8, 2009

Library of Congress, how I love you!

OK, I presume we'll be getting to online photo and video sharing (i.e. flickr and YouTube) eventually, but I just got some news that is thrilling to my inner library nerd as well as cementing my love of the Library of Congress.

The LoC is proving to be a real force for pioneering remote access of public collections. They started digitizing their collections years ago, and the American Memory collection of collections is still a fascinating way to kill some time at the reference desk (and learn something, too).

But the LoC didn't stop there. In a move that made lots of archivists and traditionalists nervous, they started putting their collections on flickr, the public photosharing website. In my estimation, this was revolutionary - rather than waiting for the public to find them, they put their materials where the public already was. They also enabled community tagging, making it possible for any member of the public to add a search term to an item. The world did not come crashing down on the heads of catalogers and archivists, and other libraries and museums have built on the work of the LOC. Flickr is now home to The Commons, a searchable, taggable repository of public photographic collections. Again, a great way to spend free time. And as a bonus, most of these images are copyright free, so it's a fun place to look for images to spice up presentations!

This brings me to my latest discovery - LoC now has it's own YouTube channel! I haven't had time to do much digging, and there's not much there yet, but it looks to once again put library material where the users and non-users already are. This seems the ultimate outreach.

I am so pleased that my tax dollars support the work of this institution. They are expanding the possibilities for libraries and archives beyond the walls of their buildings, and I can only hope we all go along for the ride.